art
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TOBY COHEN’S THE ABRAHAM PROJECT: A VISIONARY ANGEL
TOBY COHEN’S THE ABRAHAM PROJECT: A VISIONARY ANGEL By Adam B. Schonbrun A visit to the Engel Gallery on 26 Gordon Street , Tel Aviv, Israel (Telephone: 972-3-5225637) is imperative. Toby Cohen is a gifted, I think brilliant, photographer who hails from London and is a permanent resident in Israel. He has brought out of the desert of our daily lives, something inspired, an intuitive aesthetic wide-lens portrayal of the Genesis narrative of Abraham and the Angels. The show is filled with Midrashic insights & the eternal beauty of the Negev Wilderness. Cohen says to this interviewer that it took him months to find the right tree in the…
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Interview with Caleb Charland by Samuel Dodson
‘Apple Trees’ 2011 As he explores domestic space, from the basement to the backyard, Caleb develops his work through a sculptural process of experimentation. Combining his scientific curiosity with a constructive approach to making pictures, Caleb has produced and continues to create work which elaborate on his experiences of wonder. With a hectic summer of project work and exhibitions ahead, it is an honour to bring you the following interview with the brilliantly talented Caleb Charland. Is art your first love or do you have another passion? Art is. I spend most of my time making work, planning projects, etc. I often try to make work in the places I enjoy spending time.…
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Adelaide Damoah in Conversation with Shiri Achu
Beauty, confidence, exuberance, intelligence and tenacity. These are just a few adjectives I would use to describe this talented artist. Born in the Cameroon, West Africa, Achu came to the Uk at the age of nine. An inquisitive and creative child, Achu used found materials to start to make art. Gaining A grades at both GCSE and A level art, Achu decided not to follow the path of art education that her mother wanted for her and went on to study and qualify in architecture. Achu went on to work in the field of architecture until the economy collapsed in 2008 when she was made redundant. Just before that time,…
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Inside Out- Lara Kamhi: Camera Lucida by Mark M. Whelan
Transgressing the borders between fields of photography, lightart, video and film Lara Kamhi uses different textures in her artworks to reenact reality. The focus of her interest is the relationship between ‘inside’ and ‘outside’, combined with the unique view of reality. Kamhi lives and works in Istanbul and London. // Als Grenzgängerin zwischen den Bereichen Foto, Lichtkunst, Video und Film nutzt Lara Kamhi in ihren Arbeiten unterschiedliche Texturen, um die Wirklichkeit in Szene zu setzen. Im Mittelpunkt ihres Interesses steht das Verhältnis von ‚Innen‘ und ‚Außen‘, verbunden mit der individuellen Sicht auf die Realität. Kamhi lebt und arbeitet in Istanbul und London. Thanks to Mark M. Whelan The latest news…
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Interview with Kristy Lynn
The world of dreams is an intrinsic part of ourselves. If we didn’t dream, we would descend into madness. The re-worked, re-shaped manifestations of our sub-consciousness create a potentially limitless number of worlds and experiences in our minds while we sleep. Most importantly, it is a space full of inspiration. However, with pressing matters always on hand these days, have our dreams – a part of ourselves that is so important – been pushed aside, perhaps even dismissed; replaced by thoughts of trying to beat the morning traffic? The boundless space we inhabit while we sleep is a world of processes. Thoughts ceaselessly coursing through our brains. With this concept…
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[an excerpt from] Assembling the Morrow by Sandra Huber photos by Lee Wei Swee: of Sandra; of bed in laboratory
there are no windows in this room of walls: 6:22:52 to 6:23:01 a.m. [an excerpt from] Assembling the Morrow by Sandra Huber photos by Lee Wei Swee: of Sandra; of bed in laboratory This is a zoom in on Stage 3 sleep from the long poem Assembling the Morrow, which swaps the interface of brainwaves for the interface of words in order, in part, to open up and explore the possibilities of our most mysterious quotidian act: sleep. This project is ongoing. It was initially made possible via Artists-in-Labs Switzerland and involved a nine-month residency at the Franken / Tafti sleep labs at the Centre for Integrative Genomics in Lausanne.…
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Home is where the ideal is? Alana Lawley’s construction and disorientation
Ideal Home I, 2010, Digital Print on aluminium, 30 x 30 cm Ideal Home I, is a construction made from found advertising images of idealised, fetishised space. Using medium format with digital processing the work engages with the physical, disorientating properties of domestic environments, objecthood, and the spatiality of photography. Stuck: Zwischen den Wänden, 2012, Mixed media construction, dimensions variable (file that begins will 0112_overview…) Lawley’s dominating, four-panel construction, suspended using commercial display equipment, montages scans from interior design catalogs. Scaled to seduce, confront, and disorient the viewer who must negotiate multiple vantage points, her installation exposes the falsity of these fetishised interiors. The latest news in contemporary and modern…
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Blue Snow Flakes by Kristy Lynn
The latest news in contemporary and modern art in New York, London, Paris and Berlin
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SLEEPWALKING by Al Lapkovsky
‘In dreams one can revisit his past or foresee one’s future. In dreams we are free to fly; we are free to fall; we are free to die and rise. Al Lapkovsky is a series using new technique in order to enrich ordinary photographs with a slight movement and thus creating magical mixed media art. The latest news in contemporary and modern art in New York, London, Paris and Berlin
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Blindate by Mariana Zamarbide
Blind Date is an action, in which I propose myself an unnecessary (anduncomfortable) objective to encounter the danger and the unknown.It culminates with an anti-epic feat: to cross the river Besos ofBarcelona (which is slightly contaminated) dressed with a flotation suitmade out of empty water bottles. Previously I established a series of absurd requirements, which I had tocomplete:– the crossing-over had to take place in winter.– I had to dive under water to obtain photographs of the river’s ground. Once I had decided my goals it began a process of mental and physicalpreparationduring which I tried to estimate the dangers I would be exposed to.The imperative of wanting to foresee…